ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 Over the last week, I have been keeping an eye on the development of labor disputes in the animation sector. In the course of organization, several animators have come forward with harrowing stories of their working conditions. One person I follow on Twitter retweeted a story about a young animator's mistreatment at Studio Titmouse while working on Motorcity. As a fan of Critical Role, including its just-released animated series by Studio Titmouse, my first thought was "Are they still like that now?"

It's an odd thing to say but one of the things that initially drew me to Critical Role was the knowledge that no one involved in making the show was being harmed in the process. After a decade in fandom, I have heard stories of abuse, mistreatment, and inadequate compensation from every corner of the entertainment industry. I know how idols are exploited, that stunt doubles are permanently injured on set, that crews pull unreasonable shifts and end up sick or in accidents as a result. I've heard about how manga artists overwork themselves into illness, how costars harass each other, how voice actors can seldom survive without another source of income. Critical Role was free of all of that. It was owned by the cast and under their mutual control. I could reasonably assume that no one associated with it was being hurt. In fact, by supporting it I was helping to support voice actors I admired as directly as was feasible.

But as Critical Role got bigger, it's staff expanded, and so did the opportunities for me to find out that the show was not all I had hoped. Then came the Kickstarter. Now my favorite actual play is partnered with one of the world's most odious megacorporations and an animation studio with a checkered past. It's frustrating to feel unsure as to whether people were hurt in the making of something I use to distract myself from my own problems.




ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
Okay, I'm writing this because I am tired. Because I've seen several people, including ones I genuinely respect, twist this issue in ways that are irresponsible. Don't get me wrong. Most people either think they know what they're talking about or have a significant enough investment in the issue that providing a balanced assessment of the issue is not safe for them. Fortunately, neither of these things describe me!

So, the Internet Archive (IA) is a digital library that operates as a 501(c)(3) non-profit. Up until very recently, you were probably most familiar with their work as a result of The Wayback Machine, which is the most reliable and largest source of archived webpages on the internet. However, they also function in ways closer to a traditional library, supplying users with digital texts through the Open Library site. TL;DR, they do a lot of things and most of them are focused on preserving and sharing knowledge, you know, like a library.

The difference between Internet Archive's existing Open Library site and the "National Emergency Library" program seems fiddly and stupid at first. This is probably where I'm gonna lose some of you, but I'm asking you to hang in there for like a paragraph. Basically, IA got rid of lending limits on these books and let anyone download them.

For anyone who isn't aware of how libraries work behind-the-scenes, that is *radically* nonstandard. The problem with e-books, for publishers, is that a library could potentially buy one and then just...never need to replace it. Please keep in mind that selling (and re-selling) books to libraries is a major source of income for publishers. So, in 2019, several e-book publishers, including a number of those involved in suing the IA, switched from selling libraries perpetual licences to their books to selling ones that only lasted 2 years at a time. Currently, libraries have to buy multiple copies of a book if they want to lend more than one copy at a time. Some of the publishers also raised the prices they charged for the e-books compared to how much they charged non-library customers (we're talking charging $60 for a standard novel). If you're thinking, "Wow, that sounds like taking advantage of the libraries," I'd say you're right.

"Okay, but what about the authors?" You might ask. "Aren't the the innocent ones, just trying to protect their copyright?" Yes and no? Okay, so what IA did to them is essentially what that one Russian site, Fanfics.me, did to a lot of fanfic authors. It took their work, distributed it in a way that they hadn't consented to without asking their permission, and in doing so, it took away from their potential readership. Now, the difference here is that the roles are reversed--in the fanfic.me situation, the thief was for-profit and the victims were largely non-profit, while in the IA situation the thief is non-profit and the victims are for-profit. There was an actual loss of profit, even if it's difficult to know how large that loss was (I tend to think it's much smaller than it's perceived to be, since most people during the worst of the pandemic were not in a financial position to buy a lot of e-books, even if they wanted to be). So, like, the authors have a right to be angry. I'm not arguing that. Authors told the IA they didn't like their books being offered in that way, and the IA didn't stop, and that was pretty terrible of them.

However, I want to emphasize that the "people" who are suing, and the "people" who will benefit from this lawsuit, are not the authors but the publishers. Specifically, Hachette Book Group, HarperCollins and Penguin Random House, three of the five biggest publishers in the English language. They will tell you that they are doing this on the behalf of the smaller publishers and the authors who cannot afford to sue. They are the reason that the smaller publishers and the authors cannot afford to sue. The reason that these companies are threatened is that they have lost access to a small portion of the millions of dollars in profit they make each year, and that kind of ticks them off, so they want it to stop. The authors should maybe get paid too, they guess?

Similarly, the Author's Guild has been an outspoken critic of the National Emergency Library program and the IA. It may interest you to know that the AG has, since the inception of e-books, been uncomfortable with the entire concept, since they make it harder for authors to retain that good, good copyright, and protecting copyright is higher on the AG's legislative priorities than, you know, improving pay for authors or making sure they get healthcare. If you are an author and aren't on the NYT Bestseller list, there are other writer's guilds and unions you can join with more...down-to-earth priorities. 

What the IA did was poorly thought out and had consequences for authors. In particular, authors with popular books have probably missed out on some sales. However, those sales would've likely been mediated through the already broken system used to sell libraries digital media. I can't say for sure how aware they were of that or how much that factored into their decision. But it's definitely factoring into my opinion on the situation.

Yes, authors are underpaid. Yes, authors should be paid more. No, that's not the fault of people who (participated in the National Emergency Library program thinking it was aboveboard/downloaded an ebook illegally for whatever reason/bought their book used/etc.). A thousand of us buying their book can't fix the fact that publishers are underpaying them. I've seen authors go down this road before, and it's always a little embarrassing. The readers are poor too; we're all in the same boat, my friend. 

In the meantime, I'm not about to let a multi-million-dollar corporation tear down the internet, but i'm not gonna let them hide behind some opinionated dude who wrote a Star Wars novel once while doing it either.

TL;DR
  • The National Emergency Library was in fact kinda sketchy legally, but that's because how digital libraries normally work is a mess
  • The IA basically did things with a bunch of people's writing without their permission and if you've ever posted a fanfic you should get why so many writers got so worked up about it
  • The ones suing the Internet Archive are the publishers not Chuck Wendig/your fave author
  • Protecting copyright won't fix how much authors are paid, fixing how much authors are paid will do that

Sources:
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 Quick update post, since I haven't been as active on here:

I'm currently dealing with some chronic health issues, accompanied by the fun of getting a diagnosis when you're woman-shaped and in your 20's.

While all the main fandoms I've mentioned in my bio still apply, here's some of the stuff I'm paying particular attention to at the moment:

KH III (I've been spoiled through the ending, but I haven't seen most of it myself--I made a deal with [tumblr.com profile] hawk-in-a-tree  that she could spoil me as long as the spoilers came more-or-less in order)

The Dragon Prince: Eagerly awaiting S2; might not watch it the day it comes out though.

BnHA: I'm a manga reader, so I'm both excited about certain future class roster changes and baffled by the latest OFA plot twist

The Case Study of Vanitas: I've just finished Ch. 34 and I want to scream. I both love and hate Mochizuki Jun. Also I want to grab Vanitas by his collar and demand all of his secrets.

Dr. Stone: I'm reading this exclusively on the SJ website, so I'm a chapter behind Japan, but I love it lots.  Senkuu is the best ace mad scientist.

That Time I Got Reincarnated as a Slime: Not caught up to the anime, but goodness I love the concept and the execution. I'm not normally into isekai but I will accept the story of an OP nonbinary slime accidentally using his middle management experience to become a city planner. I've also been reading the manga.

She-Ra: I still need to finish the series but I'm in love with the art and the general approach to storytelling.

Steven Universe: I'm so far behind; I think I'm on S2? NO ONE TELL ME ABOUT THE DIAMONDS OK TUMBLR HAS SPOILED ENOUGH

Seraph of the End: Again, I'm very behind....I think I'm around Ch. 51? I want to continue but I'm also terrified given what's already happened.

Today's Menu for the Emiya Family: it's a canon Fate Series fixit-fic; enough said

 
The nice thing is that, compared to the past, I'm watching and reading a surprising amount of this legally. I've just gotten a bunch of manga through a Kodansha Humble Bundle, which I think is still available right now, and that's how I'm reading the Slime manga. I've been able to sign up for a Shounen Jump subscription, which i use to read Dr. Stone and Seraph of the End (and to check official BnHA translations after they're made available). The Case Study of Vanitas is around $1.99 an issue on Comixology, and the issues release on the same day as Japan (PLS SJ LEARN FROM YEN PRESS). I watch That Time I Got Reincarnated as a Slime and Today's Menu for the Emiya Family on Crunchyroll a week after release so I don't have to pay (neither is that suspenseful, so I don't mind waiting). When the next season of BnHA is out, and when Funimation grabs the new Fruits Basket anime, I'll do the same with Funimation. I do currently pay for Netflix, but I don't have cable, so it's not that bad, in terms of cost. That covers the bulk of the things I'm watching and reading at the moment, which is pretty cool.

I'm talking about all of this because I'm just marveling at how much easier it is to pay for a lot of this stuff than it was even a few years ago. Anime piracy is probably always gonna exist, but changes like the SJ subscription or same-day chapter releases make it much less attractive to indulge in, especially for the older generation of fans who work at jobs that allow them to have a limited but steady amount of disposable income. There's still stuff the industry needs to work on--unless someone gives me a method of accessing Detective Conan that doesn't involve paying more than $100 for volumes/DVD sets stuffed with filler cases, I'm really not interested--but things have gotten notably better over just the decade I've been online as a fan (I opened my FFN account in 2009).

In short, it's fun to watch the industry adapt, and I'm interested to see how it continues to adapt in the future.

ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
Hi! I'm NinthFeather. As Tumblr proceeds to do an impression of LJ during Strikethrough, I thought it was best to make sure that all my important text posts were backed up before the site went down completely. However, I don't really want to archive my meta and translations on AO3--I like restricting that site to fic and fic alone. So, over the next few days/weeks, I'm going to be moving a massive amount of material from Tumblr over to here. I'll do my best to keep it tagged and organized!  

Please be patient with me, and feel free to...uh, do you follow Dreamwidths? Do whatever you do to receive updates from this site. Just know that they will be frequent, because I'm uploading several years of writing from Tumblr as quickly as I can manage.

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ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
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