ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)

Icon table generated by Chlor's Icon Table Generator



Someone on tumblr ([profile] spaceacerat) talked about wanting some icons with V from Devil May Cry & the disability pride flag; I thought it would be fun to give it a try!
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
Okay, this is gonna be my general-purpose likes/dislikes note for exchanges. Subject to change/updating as needed, but here we go:

 
General Likes for Fic: Hurt/Comfort (including emotional h/c), found family, time-travel (especially time-travel fix-its), mind control aftermath/recovery, AUs, exploration of canonical/implied disabilities, outsider POV, worldbuilding, culture clashes, crossovers, and platonic affection.

General Likes for Art/Edits: Flower imagery, allusions to historical art, anything that plays around with canonical symbolism, fun with colors (incl. limited palettes, saturated palettes, fun textures, etc.), visible disability aids, silly T-shirts (especially on serious characters), characters floating or flying (with or without wings)

General Likes for Vids: Pretty much everything, but I'm a big AMV/animatic fan so those styles of editing are what I'm most used to. In terms of music, while again I'll like just about anything, my favorite genres are probably pop punk, contemporary folk, electronica, Vocaloid, and anison-adjacent J-pop.
 
General DNWs for Fic: explicit sex, non-con, misunderstanding plots, infidelity, incest (non-related AUs are fine), magically-healed disabilities, traditional ABO (platonic ABO is fine!), high school and college AUs

General DNWs for Art/Edits: all of the fic DNWs, but also gore (especially visible internal organs) and full nudity

General DNWs for Vids: Same as the fic and art DNWs, plus strobe effects (I can handle a little flashing, but too much will give me a migraine)
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
English singable lyrics for "Little Cry of the Abyss," (深海のリトルクライ), a collaboration between Vocaloid producer sasakure.uk and Toki Asako. These are free to use! When using these lyrics, please credit the original writer, the translators, and me, preferably in that order! Thank you.

Slash marks ("/") are used to indicate pauses in the lyrics.

Read more... )
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
English singable lyrics for "Sleep Walking Orchestra," OP 1 for the Dungeon Meshi/Delicious in Dungeon anime. These are free to use! When using these lyrics, please credit the original writer, the translators, and me, preferably in that order! Thank you.

Slash marks ("/") are used to indicate pauses in the lyrics.

Read more... )
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
A rough translation of the Milgram Second Trial Teaser, based on the Japanese text provided by うりと and ハウゲ in the comments of the video:

0:04 さあ、お前の罪を歌え。/さあ、お前の罰を疑え。

0:04 “Come, sing your sins.” / “Come, doubt your punishments.”

 

0:07 ハルカ「なーんだ、こうすれば良かったのか」

0:07 Haruka: “What, was it good for me to do this?”

 

0:09 ユノ「そういうお説教いらないんですよね. 結局、恋人としていい距離って何がです?」

0:09 Yuna: “I don’t need to hear that kind of sermon…After all, what good is distance to lovers?”

 

0:11 フータ「俺じゃねぇ。俺のせいじゃねぇ。死ぬかよ普通!拡散したのは俺じゃねぇし。」

0:11 Fuuta: “It’s not me. It’s not my fault. It’s normal to die! I didn’t spread it!”

 

0:16 ムウ「ちょっとみんな、酷いよぉ~、そんなことしたら痛いって~」

0:16 Mu: “Hey, everyone, it’s terrible~, It hurts if you do that~”

 

0:11 シドウ「人の中身を取り出したことがありますか...?人の命を重さに、差なんてないんですよ。だったら俺は...救いたい人間を救います」

0:11 Shidou: “Have you ever removed a person’s insides? There is no difference in the weight of people’s lives. I save who I want to save.”

 

0:12 マヒル「簡単な気持ちで好きだって言わないでよ!(聞き取れない)...愛なんて言葉...使わないでよ...

0:12 Mahiru: “Don’t say ‘I love you’ like it’s a simple feeling! (unintelligible) The word love…don’t use it…”

 

0:14 カズイ「あのおっさん(以降低すぎて聞き取れない)あのさぁ、笑わないで聞いてくれよ...(聞き取れない)

0:14 Kazui: “That old man (unintelligible) Hey, don’t laugh, listen… (unintelligible)

 

0:25 アマネ「絶対にゆるさない!わたしがお前をゆるさない!うわああああああああああ!!!!!!」

0:25: Amane: “I absolutely won’t forgive you! I won’t forgive you! Ahhhhhhhhhhhhhhhhhhh!”

 

0:22 ミコト「ああああああああああ!!!!!うるっせんだよてめぇら!叩き殺してやるよカス共があ!!!」

0:22 Mikoto: “Ahhhhhhhhhhhhhhhhhhhh!!!! Shut the hell up! I’ll beat you scum to death!”

 

0:31 コトコ「粛清完了。当然の報いだ。」

0:31 Kotoko: “Purge complete. It’s an appropriate reward.”

....ominous, to say the least.
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 Over the last week, I have been keeping an eye on the development of labor disputes in the animation sector. In the course of organization, several animators have come forward with harrowing stories of their working conditions. One person I follow on Twitter retweeted a story about a young animator's mistreatment at Studio Titmouse while working on Motorcity. As a fan of Critical Role, including its just-released animated series by Studio Titmouse, my first thought was "Are they still like that now?"

It's an odd thing to say but one of the things that initially drew me to Critical Role was the knowledge that no one involved in making the show was being harmed in the process. After a decade in fandom, I have heard stories of abuse, mistreatment, and inadequate compensation from every corner of the entertainment industry. I know how idols are exploited, that stunt doubles are permanently injured on set, that crews pull unreasonable shifts and end up sick or in accidents as a result. I've heard about how manga artists overwork themselves into illness, how costars harass each other, how voice actors can seldom survive without another source of income. Critical Role was free of all of that. It was owned by the cast and under their mutual control. I could reasonably assume that no one associated with it was being hurt. In fact, by supporting it I was helping to support voice actors I admired as directly as was feasible.

But as Critical Role got bigger, it's staff expanded, and so did the opportunities for me to find out that the show was not all I had hoped. Then came the Kickstarter. Now my favorite actual play is partnered with one of the world's most odious megacorporations and an animation studio with a checkered past. It's frustrating to feel unsure as to whether people were hurt in the making of something I use to distract myself from my own problems.




ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
( You're about to view content that the journal owner has advised should be viewed with discretion. )
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 TW: Murder, unethical experimentation, prisons, ableism mention, bullying mention

Okay, so, as basically anyone who’s talked music with me in the last 10 years can tell you, I’m massively into Deco*27 and if he composed a melody for a phonebook I would listen to it. Thus, despite the fact that I was deeply uncomfortable with the prison setting and the straightjacket aesthetic of the costumes, I ended up getting into Milgram anyway. Like, really into it. And now I have theories.

This one, rather than being about any of the prisoners’ actions, is about Es, who I’m going to be referring to as S from now on (they’re called that several times in the English text on the official website). I think what we know about them gives us a lot of valuable hints about the overall story and the creators’ endgame for Milgram.

So far, we know S is in charge of Milgram, a strange prison with 11 cells, ten of which we know to be occupied. They do not remember much about themself, but they seem willing to accept that life as a prison guard is normal for them. Their behavior towards the prisoners is erratic; at times caring and at times violent. Jackalope probably knows more about them than he has shared with them.

It’s not a lot. But it’s enough to work with.

As most of you probably know, the name “Milgram” is probably a reference to the Milgram Experiment. In this experiment, volunteers were instructed to inflict pain on “other volunteers” (actually actors). During the experiment, many volunteers followed instructions to the point of supposedly inflicting fatal electric shocks. This seems to promise ominous things down the line for the people trapped in Milgram. And it may indeed become relevant. But it’s worth noting that there’s another experiment that’s often mentioned in the same breath as the Milgram experiment—another unethical psychology study that took place in the US in the 20th century (about a decade later, to be precise): the Stanford Prison Experiment.

For those of you unfamiliar with it, the Stanford Prison Experiment was an experiment conducted by a Stanford University professor using college students. He randomly broke the volunteers up into “guards” and “prisoners” and gave the former group control over the latter. The experiment ended after six days because the way that the “guards” were treating the “prisoners” became too extreme, and the professor, Philip Zimbardo, claimed that his work demonstrated the damaging effects of perceived power on those who held it. Later investigation indicated that the study itself was flawed and that Zimbardo had actively encouraged the guards to be tough and cruel toward the prisoners.

Is any of this sounding familiar?

My theory is that the name Milgram is, if not a complete smokescreen, then at least a partial one; this project is based more on the Stanford Prison Experiment than on the Milgram Experiment. To that end, the name we are given for the audience proxy character, S, is probably short for Stanford. This is likely as not a codename or title given to every guard at Milgram, rather than S’s birth name, but I still think I’m right about this one. If the way that Jackalope encourages us to vote for whoever we’d like, whether we actually think they’re guilty or not, isn’t enough, look at the translations of the audio drama CDs helpfully provided by @millgrammer. S repeatedly reasserts their authority as guard, separating themself from the prisoners and placing themself above them. They use physical violence with the prisoners to make points, and even swear at Futa. S is more than a simple audience surrogate; they’re an example of the risks of placing oneself in authority above others.

However, we have to remember that the results of the original Stanford Prison Experiment were rigged. And just as the original volunteers had Professor Zimbardo telling them to behave badly, we have Jackalope encouraging us to vote however we want, even if it’s based on attractiveness. Also, as I’m sure everyone has noticed, Jackalope has conveniently omitted the actual consequences of being found guilty in the final trial.

Make no mistake, S is as trapped as any of the prisoners, an experimental subject just like all the prisoners, and since they’re our surrogate, we’re being experimented on too. We’ve already seen the fandom argue over various fine points of culpability: “If Mu was a bully before her friends turned on her, does that make her more guilty?” “If Haruka is mentally ill, can he be held responsible for his actions?” And that’s what the creators want, but also, it’s us behaving in a way that’s as dangerous to S as it is to any of the prisoners. Deco*27 and the others gave us a few fictional characters to judge and we all appointed ourselves experts in morality even though we still don’t know what any of them did for sure, and we don’t know what the punishments will be if they’re found guilty.

I don’t know if the prisoners will be killed, ultimately. But I have a feeling that the 11th cell is for S, and it’s my personal theory that they’ll end up there if we as the audience condemn the characters to an unknown punishment that may or may not be death—because, given the loose interpretation of murder that some of the MVs released so far seem to suggest, isn’t “condemning a prisoner to death” also murder? How different is what S is doing from what Futa did—even if we don’t know the exact nature of his crimes, we know that Futa thought he was doing the right thing, and S does too. But frankly, S knows as much about the actual situation as Futa did—they aren’t getting direct confessions, they’re trusting a weird machine to extract them in abstract form and then cross-referencing them with other conversations in order to actually make sense of them. We have reason to believe that Futa may have at least witnessed some of the things that he bullied/cyberbullied people over, even if he didn’t care to get the full story; S is working with much less.

So yeah, there are characters that I think are guilty. But I don’t want to vote to condemn them, not until I have a way to defend S’s actions in doing so. This kind of twist feels just like Deco*27, and given the votes so far, I’m bracing myself for it.

 
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 mirrorfalls said: You have been offered an exorbitant sum of money to (somehow) remake The Untamed as a mecha series. What Do You Do?

So, this is actually a bit trickier than the times you asked me the same about Detective Conan and Fruits Basket. Both of those stories are ones that I’ve interacted with for a long time and they have cores that I feel work with varying amounts of sci-fi and tech involved as long as certain elements stay stable. Meanwhile, the Untamed’s specific version of xianxia cultivation is pretty heavily tied to its plot. But I think it’s still doable.
 
Ok, so, for The Untamed, the most central plot is ultimately the one about the dangers of rumors and hearsay, with the theme of the complicated nature of real-world morality being almost as central. Other than those, my favorite theme is probably the whole ongoing narrative of each generation’s actions affect the next. None of this stuff would be out of place in a traditional sci-fi style mecha series set in space.
 
So, my inspirations here are primarily gonna be Magic Knight Rayearth, Sakura Wars, and the bits of various Gundam shows that involve what’s collectively referred to as space magic.
 
The concept: this is still, to some extent, xianxia. People still cultivate, they just do it on non-Earth planets and moons (note: if this is something that is specifically not allowable in Taoism I would appreciate someone letting me know). Each of the clans has their own planet/moon, corresponding in climate to the locations we see in the show and presumably named after those locations on Earth. The Burial Mounds is probably a subsatellite of the Yiling moon orbiting Yunmeng. The costuming will not change for the most part, though because space travel exists, there will be space suits—just made of materials available in the setting. I’m picturing some real funky ship designs, and also probably some scenes of cultivation-based metalworking to justify the existence of the spaceships in the first place. The sets would probably also look very much the same, but with occasional modern devices made with obviously ancient methods, thrown in just often enough to be subtly jarring. Tech levels would probably vary by clan—the Jins would have the most, the Lan would have the least, the Jiang would have a few weird things that Wei Wuxian came up with but not much else, etc.
 
As far as the mechs themselves, my solution here would be essentially creating a magitech setup, with mechs more along the lines of the ones from Magic Knight Rayearth or Scrapped Princess in piloting mechanics—i.e., they’d have magic bubble cockpits, transfer damage directly to pilots, and run on the pilot’s energy. I’d probably go ahead and have mechs be essentially summons that are exclusive to cultivators and tied to their swords, which adds even more layers to a number of scenes in the drama (people’s swords being stolen, certain people losing the ability to cultivate, the Nie saber stuff, etc.). Maybe people who have spiritual tools like Zidian can use them to power up their robots? Also obviously Wei Wuxian builds himself a new mech in the Burial Mounds and ties it to Chenqing.
 
I’m seeing the great clans all having very traditional sort of fantasy robot designs (like, Escaflowne/Rayearth/Dunbine vibes), color-coded by clan, with some design variations to differentiate them–I can see the Lans having the most curves, the Nie units being really blocky, the Jin units having extra ornamentation, the Jiang units being sleekest, and the Wen units being the most pointy. And then, just, the robots made through demonic cultivation? Evangelion-type eldritch horrors that are, given how demonic cultivation works, most likely made of organic material from dead bodies and scavenged bits of metal.
 
So, ok, it’s the Untamed, but everyone’s got robots. The thing is, they don’t only have robots. The show that results from this would probably end up including a mixture of the original series’ sword & cultivation combat and robot battles. There are some fights, for example, that basically have to take place indoors or right next to buildings, and those would probably end up involving sword combat. On the other hand, some fights would be just as fun if they involved two giant robots zooming around in the sky.
 
Some specific scenarios: a lot of the Sunshot Campaign involving simultaneous space and ground battles, the First Siege of the Burial Mounds starting with a gigantic robot assault before Wei Wuxian knocks enough of them out of the sky for them to try sending in ground troops, the battle between Lan Zhan and Xue Yang in Yi City happening in mechs while Wen Ning fights [spoiler] on the ground. It could be cool. Also, it would really emphasize the difference between people who can cultivate and people who can’t.
 
I’m not going to go full spoilers here, but I think you can imagine how the feelings of certain characters who aren’t strong cultivators would be even more intense in this type of setting. And how much easier it would be for them to argue that they felt weak, and vulnerable, and threatened!
 
I don’t think there’s any reason you’d need to add robots to The Untamed. But I think if you did, you could have a lot of fun using them to reinforce existing themes and make situations that were already gutwrenching even worse.
 
So, for that unlimited budget? The majority would be spent on getting as much of the original team as would be willing to return to make The Untamed: But Robots This Time, or replacing the cast & crew members who were unwilling to participate in this level of nonsense. The rest would go into hiring a robot-focused effects team with a focus on recruiting people who worked on Pacific Rim or Transformers, and then paying them to do a lot of work.
 
Once again, disclaimer: if I screwed up anything on a cultural level, feel free to tell me. I genuinely do not mean anyone any harm I just like putting robots in stuff.

ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 

So, ok, I had to admit I was a little nervous going into this fic. I’m still nervous about posting it. This is a big and argumentative fandom and that’s not my typical scene.

Anyhow, since this fic hits some sensitive topics, I wanted to explain some of where my decisions came from. I’m not prepared to disclose which bits came from personal experience and which didn’t, and I don’t think I should have to. But I will say that I’m not Chinese. That said, I think I got over my “exoticizing foreign cultures is cool and not harmful at all” phase a while ago. I’ve been in anime fandom; I’ve danced this dance before. It's a big part of why I avoided Chinese kinship terms that had easy English equivalents. Don’t get me wrong, Chinese is a beautiful language and there are things it conveys that English just doesn’t, but it gets real easy to fall into the trap of overusing another language as a way of exoticizing a setting, and I’d like to avoid doing that if possible. 

Okay, as far as names go, I went with two words with initial capital letters, regardless of how many characters are involved.I know that this issue has some politics attached to it, but I’ve mostly concerned myself with being consistent and readable, since while I’ve tried to do research, I haven’t found enough people sounding off on one side of the issue or another to know what’s actually going on.

On the topic of how I wrote Lan Zhan as autistic, I’m sure some people may not prefer my approach, but I hope you’ll give it a chance. The word autism was invented by a Swiss psychologist in the 20th century, and a lot of the (upsettingly bad) early research on it also happened in Europe, so I wanted to envision what diagnostics for neurological disorders might look like in this fantasy setting which is both like and unlike ancient China. I took some liberties because that cultivation probably means that medicine advanced in different ways than Chinese medicine would have in a vaguely analogous historical setting (though, as many people have pointed out, The Untamed isn’t really...set in any specific period, it’s set in Chinese Amorphous Fantasy Medieval Times). 

As far as how Lan Zhan is portrayed, I was very aware that there are some….misunderstandings built into people’s headcanons about him being autistic, notably people taking the brevity of his speech to mean that he doesn’t talk much. I’ve seen the complaints about “Lan Zhan talking like a caveman” (which I blame the ExiledRebels translation of the novel for, ok).I want to make it very clear that what I’m trying to convey here is not that Lan Zhan is autistic because he speaks briefly, but because he just...doesn’t talk, especially in tense situations or when he seems upset.

Also, on the topic of chapter two: In this fic (and any others I write, though I don’t know if that’s happening), Wen Ning is written as what the autistic community used to refer to as an “autistic cousin”-- a person who isn’t autistic but has a neurological disorder that gives them traits in common with autistic people. If you’re not familiar with this concept, you can read about it here or here. Yes, I know “having part of your soul snatched by a statue as a small child” isn’t a neurological disorder but this fic is set in high fantasy ancient China, let me bend some rules. 

Anyhow, I hope you enjoyed the fic! I’m not here for discourse but if you want to offer helpful cultural criticism, or have a nice discussion about how Lan Zhan is def autistic, you can say hi here, on tumblr, or in the comments of the fic.


ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
Okay, I'm writing this because I am tired. Because I've seen several people, including ones I genuinely respect, twist this issue in ways that are irresponsible. Don't get me wrong. Most people either think they know what they're talking about or have a significant enough investment in the issue that providing a balanced assessment of the issue is not safe for them. Fortunately, neither of these things describe me!

So, the Internet Archive (IA) is a digital library that operates as a 501(c)(3) non-profit. Up until very recently, you were probably most familiar with their work as a result of The Wayback Machine, which is the most reliable and largest source of archived webpages on the internet. However, they also function in ways closer to a traditional library, supplying users with digital texts through the Open Library site. TL;DR, they do a lot of things and most of them are focused on preserving and sharing knowledge, you know, like a library.

The difference between Internet Archive's existing Open Library site and the "National Emergency Library" program seems fiddly and stupid at first. This is probably where I'm gonna lose some of you, but I'm asking you to hang in there for like a paragraph. Basically, IA got rid of lending limits on these books and let anyone download them.

For anyone who isn't aware of how libraries work behind-the-scenes, that is *radically* nonstandard. The problem with e-books, for publishers, is that a library could potentially buy one and then just...never need to replace it. Please keep in mind that selling (and re-selling) books to libraries is a major source of income for publishers. So, in 2019, several e-book publishers, including a number of those involved in suing the IA, switched from selling libraries perpetual licences to their books to selling ones that only lasted 2 years at a time. Currently, libraries have to buy multiple copies of a book if they want to lend more than one copy at a time. Some of the publishers also raised the prices they charged for the e-books compared to how much they charged non-library customers (we're talking charging $60 for a standard novel). If you're thinking, "Wow, that sounds like taking advantage of the libraries," I'd say you're right.

"Okay, but what about the authors?" You might ask. "Aren't the the innocent ones, just trying to protect their copyright?" Yes and no? Okay, so what IA did to them is essentially what that one Russian site, Fanfics.me, did to a lot of fanfic authors. It took their work, distributed it in a way that they hadn't consented to without asking their permission, and in doing so, it took away from their potential readership. Now, the difference here is that the roles are reversed--in the fanfic.me situation, the thief was for-profit and the victims were largely non-profit, while in the IA situation the thief is non-profit and the victims are for-profit. There was an actual loss of profit, even if it's difficult to know how large that loss was (I tend to think it's much smaller than it's perceived to be, since most people during the worst of the pandemic were not in a financial position to buy a lot of e-books, even if they wanted to be). So, like, the authors have a right to be angry. I'm not arguing that. Authors told the IA they didn't like their books being offered in that way, and the IA didn't stop, and that was pretty terrible of them.

However, I want to emphasize that the "people" who are suing, and the "people" who will benefit from this lawsuit, are not the authors but the publishers. Specifically, Hachette Book Group, HarperCollins and Penguin Random House, three of the five biggest publishers in the English language. They will tell you that they are doing this on the behalf of the smaller publishers and the authors who cannot afford to sue. They are the reason that the smaller publishers and the authors cannot afford to sue. The reason that these companies are threatened is that they have lost access to a small portion of the millions of dollars in profit they make each year, and that kind of ticks them off, so they want it to stop. The authors should maybe get paid too, they guess?

Similarly, the Author's Guild has been an outspoken critic of the National Emergency Library program and the IA. It may interest you to know that the AG has, since the inception of e-books, been uncomfortable with the entire concept, since they make it harder for authors to retain that good, good copyright, and protecting copyright is higher on the AG's legislative priorities than, you know, improving pay for authors or making sure they get healthcare. If you are an author and aren't on the NYT Bestseller list, there are other writer's guilds and unions you can join with more...down-to-earth priorities. 

What the IA did was poorly thought out and had consequences for authors. In particular, authors with popular books have probably missed out on some sales. However, those sales would've likely been mediated through the already broken system used to sell libraries digital media. I can't say for sure how aware they were of that or how much that factored into their decision. But it's definitely factoring into my opinion on the situation.

Yes, authors are underpaid. Yes, authors should be paid more. No, that's not the fault of people who (participated in the National Emergency Library program thinking it was aboveboard/downloaded an ebook illegally for whatever reason/bought their book used/etc.). A thousand of us buying their book can't fix the fact that publishers are underpaying them. I've seen authors go down this road before, and it's always a little embarrassing. The readers are poor too; we're all in the same boat, my friend. 

In the meantime, I'm not about to let a multi-million-dollar corporation tear down the internet, but i'm not gonna let them hide behind some opinionated dude who wrote a Star Wars novel once while doing it either.

TL;DR
  • The National Emergency Library was in fact kinda sketchy legally, but that's because how digital libraries normally work is a mess
  • The IA basically did things with a bunch of people's writing without their permission and if you've ever posted a fanfic you should get why so many writers got so worked up about it
  • The ones suing the Internet Archive are the publishers not Chuck Wendig/your fave author
  • Protecting copyright won't fix how much authors are paid, fixing how much authors are paid will do that

Sources:
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)

 

With My Hero Academia S4 on the horizon, some of the people who have somehow held out against your friends telling you that you needed to watch it for this long may be wondering...is it still possible to get into this weird Japanese superhero show? I'm here to tell you that it is! Here's some basic info on the show, along with arc-by-arc instructions for what to read and what to skip!

Length: 243 chapters/23 volumes/ 3 seasons (S4 coming in October 2019)
 
Watch it: Crunchyroll (sub)/Funimation (dub)
 
Read it: Shounen Jump App (New chapters free, backreading w/ subscription), MangaPlus (new chapters free), your local library

Warnings:
rampant child endangerment, bullying, abuse, medical procedures, body horror, minor gore, fantasy prejudice, mental health issues, trauma, depiction of mental illness, mostly offscreen torture, and very lightly implied offscreen rape

Reading Guide
 
Entrance Exam Arc
 
Ch. 1-4/ Eps 1-4
 
Izuku acquires a mentor and some superpowers, and thereby attempts to get into hero school.
 
Unlike some other anime I've watched (*cough* Detective Conan *cough*), you actually need to watch the first few episodes of this show for it to make sense.
 
 
 
 
Quirk Apprehension Test Arc
 
Ch. 5-7/Ep 5
 
Izuku meets his classmates and tries to avoid expulsion from hero school.
 
If for no other reason, read this so you have some idea of who the other characters besides Izuku, All Might, and Bakugou are.
 
 
 
 
Mock Battle Arc
 
Ch 8-11/Eps 6-9
 
We learn about the class’s powers, All Might demonstrates his (lack of) teaching skills, and Izuku fights his childhood bully
 
Again, you’re gonna be confused later if you skip this. Also, it’s just frankly a good arc. (note: in the manga, ch. 12, which involves Iida getting elected class president, is arguably skippable. In the anime, it’s the first half of the first episode of the USJ arc)
 
 

USJ Arc
 
Ch. 13-21/Eps 10-13
 
The class takes a field trip, which is promptly crashed by villains.
 
I really doubt you’re going to want to skip anything once this arc starts, but no, nothing in this is particularly skippable. It’s a short arc, but it’s crucial to establishing the villains and their relationships with the protagonists.
 
 
 
 
Sports Festival Arc
 
Ch. 22-44/Ep 14-25
 
There’s a sports festival, only superpowers are allowed and the author uses it primarily as a vehicle for character development
 
This is the best tournament I’ve ever read in a shounen series. But if you’re not feeling up to that many fight scenes, read Ch. 33, 34, and 36-44, or watch eps 19-25 to cut out some of the fights that are less important to the central plotline.
 
 
 
 
Hosu Arc/Hero Killer Stain Arc
 
Ch. 45-58/Ep 26-31
 
Everyone gets weeklong internships and Izuku gets to learn more about his powers! Also, there’s a serial killer out murdering heroes who don’t conform to his ideas of justice. Surely, our heroes wouldn’t---nope, there they go.
 
This arc is also high-quality. Both Izuku’s internship and later violent encounters are well worth your time.
 
 
 
 
(Anime Ep 32 is an anime-original and can be skipped)

 
 
 
Final Exam Arc
 
Ch. 59-67/Eps. 33-37
 
At UA, final exams involve fighting the teachers, because of course they do.
 
Ch. 59/Ep33 is an important lore drop, but the rest of the arc is mostly character development. The most interesting fight is the one involving Izuku, which occurs in Ch. 61-62/Ep 37. It’s also the one that’s most worth watching/reading for continuity’s sake.
 
 
 
 
Kiyashi Ward Shopping Mall Incident
 
Ch. 68-69/Ep 38
 
Izuku and his friends can’t even go to the mall in peace.
 
It’s not technically an arc by itself but doesn’t fit cleanly with either the previous or following arc, either. This is important for character development and establishing series themes. It’s worth watching.
 
 
 
 
(Ep 39 is a recap episode and can be skipped)

 
 
 
Training Camp Arc
 
Ch. 70-82/Ep 40-44
 
Izuku’s class goes to a training camp in the mountains, which is supposed to be remote and secure and safe from villain attacks. It’s not.
 
Even though the pace of this arc drags a bit sometimes near the beginning, even the slow parts are giving you some information you’ll need later on. Worth it. Read this arc and the next one together unless you really like cliffhangers.
 
 
 
 
[Spolier] Rescue Arc/Kamino Ward Battle
 
Ch. 83-95/Ep. 45-50
 
Izuku and friends wrestle with the idea of mounting an illegal effort to rescue [spoiler] as All Might confronts an old enemy.
 
Absolutely worth watching/reading in full; if you enjoy this series, I really doubt there will be much you’ll want to skip.
 
 
 
 
Licensing Exam Arc
 
Ch. 96-114/Ep. 51-61
 
UA responds to mounting security concerns by building an on-campus dorm and giving the kids the chance to get their heroism learner’s permits early. This can’t possibly end badly.
 
You can skip big chunks of this if you want: I recommend watching eps 51, 57, 59, and 60-61 or reading ch. 96-98, 109-114, and 117-119 if you want to get through this arc quickly but still catch the highlights.
 
 
 
 
Eight Precepts Arc/Hideout Raid Arc
 
Ch.120-161/ Ep. 62-??
 
Izuku gets an internship. Too bad his boss hates him and there’s a villain teamup in the works.
 
This arc is likely going to be adapted in full in the next season of the show, which hasn’t been released yet. It’s a really engaging, fast-paced arc with neat concepts and good execution that I think is worth reading.
 
 
 
 
License Training Arc
 
Ch. 163-167
 
A bunch of cooldown chapters in which characters who are terrible with kids are forced to interact with kids.
 
Good character development if you enjoy the characters in question, otherwise you can skip this.
 
 
 
 
School Festival Arc
 
Ch. 168-183
 
UA has a school festival. Predictably, there’s a villain attack—though for once, it’s not the League of Villains!
 
Honestly, most of this arc is skippable. I’d recommend reading just 173-174 and 182-183.
 
 
 
Pro Hero Arc
 
Ch. 184-192
 
The narrative focus shifts to the current top pro heroes. Endeavor is briefly something approaching sympathetic, kind of, possibly.
 
Introduces interesting new characters! Worth actually reading, despite all the Endeavor, I promise!
 
 
 
 
Joint Training Arc
 
Ch. 193-217
 
Class 1-A, Class 1-B, and another character from a previous arc face off in a tournament. Izuku and his friends realize that practical experience isn’t everything.
 
This arc was sometimes fun, but it dragged at other times. The most important chapters are 193, 195-197, and 209-217--feel free to skip the rest if you aren’t as into the side characters
 
 
 
 
Meta Liberation Army Arc
 
Ch. 218-240
 
A bunch of Magneto wannabes decide to fight the League of Villains.
 
Very focused on the villains, with lots of lore and worldbuilding--I honestly can’t say whether it’s skippable yet.
 
 
 
Newest Arc (no accepted term yet, but probably something involving ‘internship’)
 
Ch. 241-???
 
Class 1-A’s three biggest problem children go intern at the Endeavor Hero Agency while the villain situation escalates.
 
 
 
 
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 mirrorfalls said:
You have been offered an exorbitant sum of money to (somehow) remake Fruits Basket as a mecha series. What Do You Do?

Take it.
I’ve got a plan.
 
Ok, this is 1) A long post and 2) Full of Fruits Basket SPOLIERS. Stop reading if you haven’t finished the entire manga.
 
Ok, so Fruits Basket as a mecha anime would probably bear a strong resemblance to the middle section of Evangelion, after it turned into a combination of mecha show and psychological drama but before all the surrealist nihilism.
 
The setting is the far, far future. Nations exist as people-groups rather than sovereign territories; no one alive remembers the last full-scale war. Honda Tohru’s mother dies in an accident and she ends up squatting on the property of the reclusive Sohma family while waiting for her grandfather to finish remodeling.
 
And the Sohma, for as long as they can remember, have been training in secret for an attack from outside Earth. To an outsider, it sounds silly—they’re expecting aliens to come! But this is more than expectation, it’s tradition, and the Sohma take tradition seriously.
 
Generations ago, the Sohma built mecha. Thirteen piloted suits, one named after each animal in the Chinese Zodiac, plus a fleet of automated units to serve as false enemies. To ensure that these units couldn’t be used by people from outside the family, they put a specific type of DNA lock on them, one that recognizes specific sequences that show up in Sohma family DNA (note: with an unlimited budget, I’d probably get a science consultant to help with this bit, since I am not that knowledgeable about DNA). Ever since, the robots have been passed down through the family to descendants with the right DNA, along with the legacies of their original pilots. The Rat pilot is always the ace, for example, and the Ox pilot is generally expected to be stupid. But then there’s the issue with the Cat unit—piloting it mutates people, and even Sohma tech is only good enough to cover up those mutations, not reverse them.
 
Tohru stumbles into the Sohma’s secret world by accident. Normally, they’d just wipe her memories, but Akito, the head of the family and “God of the Zodiac” who pilots the automated units and can seize control of the other units, is curious about how she’ll affect the pilots. So Tohru finds herself knee-deep in the interpersonal dramas of a family that expects disaster constantly, in which children are taken from their mothers immediately after birth to be tested for their suitability as pilots, and in which relationships for members of the Zodiac are all but forbidden. She watches as the Sohma attend school and then participate in piloting exercises afterward and on weekends.
 
Her goal in all of this shifts from “brighten the lives of her housemates” to “end the Zodiac pilot system,” as she falls in love with the pilot of the Cat unit and then finds out that he, like every Cat pilot before him, will be locked in a cell on Sohma territory after graduation and released only to pilot in exercises.
 
In her quest to end the system, Tohru delves into the history of the Zodiac pilot system. Eventually, even as the system is falling apart, the original promise that started the system is revealed. The longstanding tradition started as an effort to reassure a nervous cousin, nothing more. There was never any real indication that aliens were coming. But as the first “God of the Zodiac” became drunk on power and his Zodiac enjoyed each training fight, they lost their original purpose and started taking themselves too seriously. The Cat pilot rebelled, and tried to leave, trying to make his machine inoperable in his wake. But the Zodiac he left behind just decided to find another pilot, one that they could force into piloting.
 
Eventually, the ending would be very much like the ending of the manga, starting with the Kureno reveal and leading up to a more action-y version of the scene where Akito and Tohru meet in the woods.  Also there’d be symbolic robot destruction and also probably Kyo getting gene therapy or the futuristic equivalent thereof.
 
With an unlimited budget, I’d spend a lot on getting a good voice and animation cast. The animation cast would be focused on doing background shots and facial expressions, with a special unit devoted to making the mecha fights look good. But there’d be a lot of zoomed-out shots with Makoto Shinkai-type skies in the background and the whole thing would probably be very washed-out, color-wise—closer to Natsuki Takaya’s Twitter sketches in palette than to the current anime.
 
The thing is that it was Takaya-sensei’s editors, not Takaya, who suggested the animal transformations. They’re important and useful and funny, but the core of the curse was always the “promise” that warped into a “bond”—which can be anything, even a bunch of genetically-locked robots.
 
Also, the above summary sounds super-serious, but I would keep as many jokes from the original Fruits Basket as possible. Especially the running gag about Shigure’s house getting destroyed (gotta crash a robot into it once), but also most of Haru and Ayame’s gags and every single Manabe Kakeru appearance ever.
 
Finally, while I’m making changes, I would tone down Kagura’s tsundere stuff and Shigure’s perviness. Also Ritsu would be a trans woman and if possible I would let some of the ambiguously bi characters like, say, Haru and Ayame, be actually bi.

ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 mirrorfalls said:
You have been offered an exorbitant sum of money to (somehow) remake Detective Conan as a mecha series. What Do You Do?
First of all, I would take that money.
 
The adaptation would be a compressed one, because in general mecha shows do not run for quite as long as Detective Conan. I would be focusing on including the cast, the most important themes, and the most enjoyable tropes from the original show.
 
This post is a monster so I’m adding a readmore.
 
Read more... )I actually thought about this over the course of the week, and I think I have a workable concept. The setting is Tokyo circa 30XX A.D., and most people have one or more robots, which are not sentient, but can be controlled via neural uplink technology. Robots are registered to individual users, so in an ideal situation, everyone is only using their own robots. But the truth is that it’s relatively easy to find and access methods of briefly taking control of a robot that doesn’t belong to you– these methods are how people loan out their technology and they also get used for pranks pretty frequently. Of course, commandeering a robot is also the most common method of committing crimes. After all, why bother committing a crime in person when you can use a metal exoskeleton with no fingerprints and inhuman strength?
 
With most crime being carried out via robots, most crime-fighting is carried out the same way. Police officers and detectives still exist, but they’ve largely been supplanted by a robot-piloting Robot Crimes Department (RCD) in charge of intervening in robot crimes when they happen, and a squad of computer and neural uplink experts tasked with tracking the digital aspects of the crimes. The police come to the crime scene last, and no one really expects them to do much.
 
Shinichi and Ran were in training for the RCD together until the day Shinichi ran off at the amusement park. Being a child in this setting presents different challenges. Technically, he still has access to neural uplink technology, but it hasn’t been tested on children of his physical age, and he generally experiences adverse physical symptoms (exhaustion, dizziness, pain) if he uses it for an extended period of time. Additionally, he still has difficulty getting most people to take them seriously.
 
Except for the Tokyo Metropolitan Police Department, which is underfunded, floundering, and will at this point take help from anyone, including a small, bored genius who is definitely not a normal child. Thus begins Shinichi’s apprenticeship in old-fashioned crime solving. Or, at least, somewhat old-fashioned crime solving, since the crimes are still being committed using robots.
 
The Tokyo Metropolitan Police Department is staffed by canon’s Division 1 and a few other canon cops. Their personalities are also similar, although the fact that their skills and contributions are constantly disrespected by the RCD has made all of them a little bit pricklier, in particular Satou and Megure. Kuroda and Matsumoto are both members of the RCD. Naeko Miike and Yumi Miyamoto both work on the technology support division associated with the RCD.
 
Ran is an RCD trainee who specializes in karate. Since I am adapting, I am making the rules, and Ran knows. She finds out early on, during the adaptation of one of the canonical suspicion arcs, and the tension in their relationship switches from the canonical reasons to tension over the fact that the two of them were close to possibly moving forward into some sort of romance when Shinichi got himself de-aged, and now things are back to being awkward and unspoken.
 
Rather than being a veteran police officer, Kogoro is an ex-member of the RCD who used to work closely with Megure. His abrupt departure signaled a downturn in how the MPD was treated by the RCD and Megure has never really forgiven him.
 
Most of Ran and Shinichi’s classmates aren’t named characters, but Hakuba Saguru is attending another RCD training program in Ekoda. Hondou Eisuke will eventually transfer in.
 
Sonoko went to middle school with Ran, but currently attends a prestigious high school along with Kuroba Kaito. She meets up with Ran after school and on weekends.
 
The Detective Boys are students at Conan’s school who also start hanging out around the MPD.
 
Haibara is basically the same as canon, but she also knows a fair amount about neural uplinks and can provide computer support when necessary.
 
Agasa is responsible for building several different custom mecha for Shinichi, all of them tailored to different situations that he might encounter as Conan during a crime.
 
Hattori Heiji is training for the Osaka equivalent of the RCD.
 
The Black Organization… Honestly, I don’t feel like I have to make a lot of changes there. We don’t really know what they want in canon, other than to do crimes, and in this setting, they would still want to do crimes, just using different methods. Some of their tech would probably be different – like, Gin would probably be a really great pilot with a custom gunner unit instead of a sniper, and Vermouth would use things like holographic masks in her disguises– but they would basically be the same characters.
 
What I would really want to change is, starting a little bit before Eisuke’s introduction in the timeline, I would wrap up whatever season the show was on, give the next season a nifty subtitle, and do everything from the Clash of Red and Black to the Scarlet Arc primarily from the perspective of the FBI. Imagine Raiha Pass with mechs instead of cars. Imagine the Scarlet Arc version of Raiha pass with mechs instead of cars! It would be a really good way to further establish the worldbuilding by showing the FBI characters, who are older and have more experience with using robots as weapons. As the season(s) progressed, this focus would expand to Masumi and Amuro as well, further expanding the audience’s view beyond Conan’s limited perspective. It would also be a way to move the plot forward at a bit of a faster clip.
 
Akai is the ace pilot (naturally), but Jodie pilots too and Camel’s better at maneuvering (while Akai’s better overall in a fight). Hidemi’s a decent pilot but a better infiltrator. Amuro is also an ace pilot because he’s Amuro. Masumi probably joins the RCD training program.
 
Some of the really notable cases from that period of time that have no connection to the FBI characters could also be included as OVAs. (If I could get the budget for KID OVAs featuring him stealing stuff with his dad’s decade-old custom mech, I’d do it.)
 
After those seasons focused on the FBI/the general spy shenanigans end, the perspective can return to Conan, (probably with a new subtitle after the title) and show the effect of the accelerating plot on him, his allies, and the city in general. Depending on when I hypothetically received this money and what Gosho’s plans are, this arc might carry us up to the end of the series, or I might get to write my own ending.
 
Please note that if I get to write my own ending for this kind of DC adaptation, it will involve Shinichi fighting half of an epic robot battle over a piece of defining evidence as Conan, doing himself permanent injury, and then getting a temporary antidote just in time to make it out with the evidence while all of his more-skilled friends cover his retreat. The last episode would be about everyone’s lives afterward and would be decidedly bittersweet.
 
As much as I’d love a Real War, Gundam-style series with Conan characters in it, it wouldn’t be anything like an adaptation. This at least preserves the mystery elements while adding mecha elements. In practice, it’s probably more similar to Ghost in the Shell: Stand Alone Complex than anything. But I still like the concept.
 
(drabbles may eventually happen in this ‘verse)
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 Quick update post, since I haven't been as active on here:

I'm currently dealing with some chronic health issues, accompanied by the fun of getting a diagnosis when you're woman-shaped and in your 20's.

While all the main fandoms I've mentioned in my bio still apply, here's some of the stuff I'm paying particular attention to at the moment:

KH III (I've been spoiled through the ending, but I haven't seen most of it myself--I made a deal with [tumblr.com profile] hawk-in-a-tree  that she could spoil me as long as the spoilers came more-or-less in order)

The Dragon Prince: Eagerly awaiting S2; might not watch it the day it comes out though.

BnHA: I'm a manga reader, so I'm both excited about certain future class roster changes and baffled by the latest OFA plot twist

The Case Study of Vanitas: I've just finished Ch. 34 and I want to scream. I both love and hate Mochizuki Jun. Also I want to grab Vanitas by his collar and demand all of his secrets.

Dr. Stone: I'm reading this exclusively on the SJ website, so I'm a chapter behind Japan, but I love it lots.  Senkuu is the best ace mad scientist.

That Time I Got Reincarnated as a Slime: Not caught up to the anime, but goodness I love the concept and the execution. I'm not normally into isekai but I will accept the story of an OP nonbinary slime accidentally using his middle management experience to become a city planner. I've also been reading the manga.

She-Ra: I still need to finish the series but I'm in love with the art and the general approach to storytelling.

Steven Universe: I'm so far behind; I think I'm on S2? NO ONE TELL ME ABOUT THE DIAMONDS OK TUMBLR HAS SPOILED ENOUGH

Seraph of the End: Again, I'm very behind....I think I'm around Ch. 51? I want to continue but I'm also terrified given what's already happened.

Today's Menu for the Emiya Family: it's a canon Fate Series fixit-fic; enough said

 
The nice thing is that, compared to the past, I'm watching and reading a surprising amount of this legally. I've just gotten a bunch of manga through a Kodansha Humble Bundle, which I think is still available right now, and that's how I'm reading the Slime manga. I've been able to sign up for a Shounen Jump subscription, which i use to read Dr. Stone and Seraph of the End (and to check official BnHA translations after they're made available). The Case Study of Vanitas is around $1.99 an issue on Comixology, and the issues release on the same day as Japan (PLS SJ LEARN FROM YEN PRESS). I watch That Time I Got Reincarnated as a Slime and Today's Menu for the Emiya Family on Crunchyroll a week after release so I don't have to pay (neither is that suspenseful, so I don't mind waiting). When the next season of BnHA is out, and when Funimation grabs the new Fruits Basket anime, I'll do the same with Funimation. I do currently pay for Netflix, but I don't have cable, so it's not that bad, in terms of cost. That covers the bulk of the things I'm watching and reading at the moment, which is pretty cool.

I'm talking about all of this because I'm just marveling at how much easier it is to pay for a lot of this stuff than it was even a few years ago. Anime piracy is probably always gonna exist, but changes like the SJ subscription or same-day chapter releases make it much less attractive to indulge in, especially for the older generation of fans who work at jobs that allow them to have a limited but steady amount of disposable income. There's still stuff the industry needs to work on--unless someone gives me a method of accessing Detective Conan that doesn't involve paying more than $100 for volumes/DVD sets stuffed with filler cases, I'm really not interested--but things have gotten notably better over just the decade I've been online as a fan (I opened my FFN account in 2009).

In short, it's fun to watch the industry adapt, and I'm interested to see how it continues to adapt in the future.

Link List!

Dec. 4th, 2018 07:48 pm
ninthfeather: Waist-up image of Louise Halevy from the anime Gundam 00. She is a white woman with green eyes and long, straight blonde hair. (Default)
 Basically, a grand master list of where you can find all the extra stuff related to my fics, as well as various other stuff I want to link.  I used to keep this on FFN but then the site broke all the links, so…

When I could, I tried to link archive sites like DeviantArt and Pixiv, which are good sites for posting art but occasionally have NSFW ads, so be warned. 

All art that isn’t otherwise attributed is by me.

Detective Conan/Magic Kaito

Riddle in Reverse Series: (tumblr tag)

Gundam 00

The Island of Misfit Toys: (art) Cover Image

Interim: (art) Cover Image

I love it when a plan comes together

The Man with the Shield: (fic tag)

What became of his ancestry: (fic tag)

Kagerou Project

Reset The World: 

FMA

A Recurring Nightmare with Popcorn: (fic tag)


Unexpected: (art) 
Ed in his red sweatshirt

Discontinued Fics 

Sealed Wings (TRC): 

Shards of Sky (Scrapped Princess): (art) Bicycle Crashes

Past & Future (Code Geass): (art) Euphine/Disguised!Euphemia 

Blind Justice (Code Geass): *please do not read this, I only leave it up because people still have it favorited*

 

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